The Cancellations

depression you can dance to

Tag: rock music

  • There. Are. Four. Lights.

    There. Are. Four. Lights.

    As if we weren’t nerdy enough, we went ahead and released a song about a couple Star Trek episodes (and, y’know, its relevance to modern-day politics, toxic relationships, and overall mental health…since we can’t just write a normal song about a normal thing). Give it a listen on Spotify, Bandcamp, Apple Music, or YouTube.

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  • AYSBLT: Laurlyn, Robyn Harris, Billy and The Devil

    AYSBLT: Laurlyn, Robyn Harris, Billy and The Devil

    All three of these tracks are at the top of our Depression You Can Dance To Spotify playlist this week. Listen while you read! “Atone” – Laurlyn Laurlyn’s debut single “Atone” sounds a lot more like an established artist’s first solo release after waiting out a restrictive 10 year record deal. It’s experienced, it’s freeing,…

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  • Lyric Video for The Cancellations – “Happy Endings”

    Lyric Video for The Cancellations – “Happy Endings”

    For “Happy Endings (Aren’t for Us)” we used a lot of Creative Commons photography from artists around the world. While we gave them credit in the YouTube description of the official music video, this lyric video seemed like the perfect place to tag each of them directly on their work. Check it out, read along,…

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  • The Cancellations – “Happy Endings (Aren’t for Us)”

    The Cancellations – “Happy Endings (Aren’t for Us)”

    The Cancellations’ newest song puts the misery in commiseration. It’s a deceptively upbeat tune with some killer violin and guitar riffs from Sarah Blick and J. Marsden, respectively. It’s the end of the world sing-along we never wanted but definitely needed. The video was shot remotely with half our members being scattered around the country.…

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  • The Cancellations – “All My Heroes”

    The Cancellations – “All My Heroes”

    Recorded for Steel Bridge Songfest 2020 with Holiday Music Motel. Written by Ellie Maybe, performed by The Cancellations feat. Holiday Music Motel. Video features an intro from the late, great Billy Triplett.

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